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Preparation of a stone or brick wall for fresco painting.
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Preparation of two types of support for frescoes.
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Preparation and laying of lime plaster (intonaco).
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Painting buon fresco using natural pigments.
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Marble dust intonaco - for a very smooth white surface on which to
fresco paint.
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Stucco lucido - emulsified wax painted onto fresh plaster, as used
in wall paintings in Pompei.
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Secco painting - painting onto the dry fresco with egg tempera.
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Sgraffitto - white lime is scrapped back to reveal coloured plaster.
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Gilding onto a fresco – application
of silver and gold leaf using wax or oil size.
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Preparation of two types of support for egg tempera painting, plywood
and canvas.
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Preparation of gesso.
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Laying of the gesso ground.
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Preparation of egg tempera.
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Painting with natural pigments using egg tempera as the medium.